Outside letterings, either hand-painted or machine-cut, have always a solid skeleton, clearly apparent in all weights and widths. Zeppelin shares much of those inspiration sources and its consistent monolienar drawing is nearly naive, with no trace of expression. That’s common to most of universal typefaces with a very broad field of application. Zeppelin type family is very good in magazines, posters, advertising, information systems inside/outside buildings, in traffic, being extremely legible in smallest point sizes or from longest distance.