Yet another distinctive design from noted, London-based designer Andrew Smith, Potato Cut drew its influences from initial potato-printed letterforms. Liking the effect, Smith decided to continue the theme - cutting out shapes using a scalpel and black card (he was running out of potatoes). The resulting contrasting weights and varied positioning of characters on the baseline give this font a fun and jaunty feel. Working extremely well in small and large sizes, its applications are almost endless.