Thursday, November 21
A Curated Gallery of Beautiful Fonts for Creative Designers
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It was first published in Venice, in December 1499, by Aldo Manutio. This first edition present an elegant and unique page layout, with refined woodcut illustrations in an Early Renaissance style and a refined Roman font, cut by Francesco da Bologna, is a revised version of the type used in 1496 for the De Aetna of Pietro Bembo.
The print quality is very high for the time, but nevertheless it presents many inconsistencies and imperfections due to the non ideal inking and adherence of the matrix to the paper. For that reason numerous samples of the original have been used to create every single glyph which will result in an appropriate reconstruction and not a mere and humble reproduction.
Some letters like J, U and W where extrapolated, because they are not part of the original alphabet of the period. Some letters like Q, X, Y, h has been updated to more modern variant, but the original shape is accessible by Stylistic Alternates Opentype Feature, wich changes also the shape of the V and the v.
The original numerals zero, one, tree, four and six have been accompanied by reconstructions of the missing numbers and extended by modern figures. Finally, swashed lower cases and original scribal abbreviations were also included.
Sooner or later it will be joined by a matching Italic and, of course, a bold.