In the nineteen-twenties and early thirties, all forms of display typography flourished in Europe, and nowhere more than in Germany and Austria.

German poster design set a high creative standard, stimulating design of a marvelous group of sinuous and sparkling display letterforms.

Richard Lipton designed Bremen for Font Bureau after a set of freehand capitals on a poster designed by lettering artist Ludwig Holwein in 1922.

Among other uses, Bremen is recommended for Magazine and Corporate use.